Abstract
ABSTRACT. As a writer, editor, scholar, and activist, Toni Cade Bambara left an indelible imprint on African American literature and Black feminist thought. This article elucidates Bambara’s significance to Black women’s humorous practice and articulates the mutuality between Black feminism’s ongoing project to render Black women visible and to recover and engage in the bounty of Black women’s humorous expression. Through her “cut on the bias” approach to using humor in the short story “Medley,” Bambara offers an “alternate design sensibility” of racial and gender difference that illuminates the perspective of being Black and female.
| Original language | English |
|---|---|
| Pages (from-to) | 208-224 |
| Number of pages | 17 |
| Journal | Studies in American Humor |
| Volume | 10 |
| Issue number | 2 |
| DOIs | |
| State | Published - 2024 |
ASJC Scopus Subject Areas
- Cultural Studies
- Visual Arts and Performing Arts
- History
- Psychology (miscellaneous)
- Linguistics and Language
- Literature and Literary Theory
Keywords
- Black feminism
- humor theory
- Toni Cade Bambara
- “Medley”