Rosa, I Disowned You

Alicia Partnoy

Rosa, I Disowned You

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

“Rosa, I Disowned You” (2008) and “Disclaimer Intraducible” (2009) complement and extend Alicia Partnoy’s groundbreaking scholarly work on testimonio, serving as points of departure for meta-analysis of the nature of the genre and the constraints that human rights workers, translators, publishers, and readers still impose on survivors’ storytelling.

Original language	English
Title of host publication	If Salt Has Memory: Jewish Exiled Writers from Africa, Latin America, Europe and the Middle East
Publisher	Five Leaves Publications
Pages	253-256
State	Published - 2008

Keywords

Exiles writings
modern literature
Jewish authors

Disciplines

Modern Literature

Cite this

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title = "Rosa, I Disowned You",

abstract = "“Rosa, I Disowned You” (2008) and “Disclaimer Intraducible” (2009) complement and extend Alicia Partnoy{\textquoteright}s groundbreaking scholarly work on testimonio, serving as points of departure for meta-analysis of the nature of the genre and the constraints that human rights workers, translators, publishers, and readers still impose on survivors{\textquoteright} storytelling.",

keywords = "Exiles writings, modern literature, Jewish authors",

author = "Alicia Partnoy",

note = "Partnoy, Alicia. “Rosa, I Disowned You.” If Salt Has Memory. Jewish Exiled Writers from Africa, Latin America, Europe and the Middle East. Jennifer Langer, ed. UK: Five Leaves Publications, 2008, pp 253-256.",

year = "2008",

language = "English",

pages = "253--256",

booktitle = "If Salt Has Memory: Jewish Exiled Writers from Africa, Latin America, Europe and the Middle East",

publisher = "Five Leaves Publications",

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PY - 2008

Y1 - 2008

N2 - “Rosa, I Disowned You” (2008) and “Disclaimer Intraducible” (2009) complement and extend Alicia Partnoy’s groundbreaking scholarly work on testimonio, serving as points of departure for meta-analysis of the nature of the genre and the constraints that human rights workers, translators, publishers, and readers still impose on survivors’ storytelling.

AB - “Rosa, I Disowned You” (2008) and “Disclaimer Intraducible” (2009) complement and extend Alicia Partnoy’s groundbreaking scholarly work on testimonio, serving as points of departure for meta-analysis of the nature of the genre and the constraints that human rights workers, translators, publishers, and readers still impose on survivors’ storytelling.

KW - Exiles writings

KW - modern literature

KW - Jewish authors

UR - https://digitalcommons.lmu.edu/modernlang_fac/10

UR - https://lmu.primo.exlibrisgroup.com/permalink/01LMU_INST/mq4q04/alma991003977129708066

M3 - Chapter

SP - 253

EP - 256

BT - If Salt Has Memory: Jewish Exiled Writers from Africa, Latin America, Europe and the Middle East

PB - Five Leaves Publications

ER -

Rosa, I Disowned You

Abstract

Keywords

Disciplines

Other files and links

Cite this