Soft Power: Hwang and Tesori’s reappropriation of The King and I in representing twenty-first-century diplomacy and the dystopic reality of contemporary America

Research output: Contribution to journalArticlepeer-review

Original languageEnglish
Pages (from-to)269-282
Number of pages14
JournalStudies in Musical Theatre
Volume13
Issue number3
DOIs
StatePublished - Dec 2019

ASJC Scopus Subject Areas

  • Visual Arts and Performing Arts
  • Music
  • Literature and Literary Theory

Keywords

  • Asian American
  • China
  • cultural appropriation
  • David Henry Hwang
  • dystopia
  • Jeanine Tesori
  • Soft Power

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